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Italy | Milan | Galleria Vittorio Emanuele

In 1859, the Town Council held an international competition in which 176 architects took part. Giuseppe Mengoni won the competition, who proposed a long gallery crossed by an arm, with a large octagonal “hall” in the middle of the intersection: the roof had an iron frame and the rest in glass. The two main entrances, those of the longer arm, also provided for two large triumphal arches. In 1865 work began with the laying of the first stone by King Vittorio Emanuele II of Savoy and two years later the gallery was inaugurated, although not completely finished. In 1885 the Edison Company began the modernisation of Milan with the distribution of electricity: the city was illuminated with arched lamps, giving the citizens the pride of claiming the world record for the use of electricity for public lighting.

The Gallery with its cafés soon became the living room of Milan, and in 1910 the Futurist painter Umberto Boccioni painted the movement of the people who animated it in the painting Rissa in the gallery. During the Second World War, on the nights of 13 and 15 August 1943, the Gallery was hit by Allied aerial bombardments that caused devastating destruction, the Gallery was seriously damaged: the post-war reconstruction maintains its previous appearance, the original incandescent chandeliers that were destroyed are replaced by a series of projectors hidden in the balcony that runs along the perimeter in the upper part of the Gallery.

The “2000 urban lighting plan” included the re-development and aesthetic and functional upgrading of various areas of the historic city centre to meet regulations. A careful study of the original architectural and lighting projects, together with technological developments introduced over the years, led to the decision to retain the overall design conceived by Mengoni some 150 years ago and carried out using the most advanced technique available at the time: gas! The wall-mounted globes used for the general lighting of the promenade and of the lower part of the Galleria were retained, as well as the existing system for the general lighting of the upper parts of the façades, the central dome and the vaults. New generation 150W metal halide lamps, fitted with ceramic burners, were installed into the 148 new small-sized projectors, featuring asymmetric optics, used to light the upper parts of the façades by aiming the light directly from the balcony towards the façades opposite. This highlighted the structure of the central dome, the decorations of the lunettes and the clock.

In Milan Architect Piero Castglioni has given the right light to many architectural spaces of historical and cultural importance, including the Sala Alessi in Marino Palace, Cadorna Railway Station, Brera Bookshop, Arcimboldi Theatre with Architect Vittorio Gregotti, Portello District, Garibaldi Complex – Porta Nuova and City Life .


Project:
Lighting Design Piero Castiglioni

Collaborations:
A.E.M.

Photo Courtesy:
Simion

Year:
2000


Other Projects

Orsay Museum where architecture became a big lighting device, the reflections of light bulbs with walls and ceilings create a uniform light without shadows. Groups of projectors in Grassi Palace recall a small football field. Here was born a new type of lighting device. Reflector lamps and articulated support gives life at the "Cestello". Spasa na Krovi is a perfection of Mantova project. Light beams aggregation allow the device size reduction and the dispersion light control.

Detail of the lighting system used
View of the ceiling glass windows with lighting
Outdoor spaces with architectural lighting
A night view of the illuminated building
View of the rooms and the exhibition path
Deputies with the lighting used
View of the complex with night lighting
The stage of the Teatro Comunale of Florence
The works of art inside the illuminated Papal Stables
The Last Supper by Leonardo da Vinci with the lighting used
Full view of the illuminated theater
Full view of the Cultural Center building
One of the rooms with the works on display and the lighting fixtures
Overall view of the Banca Lombarda building in Brescia
Overall view of the central courtyard of the service center
Detail of the illuminated facade of the Dior building
Front view of the Lingotto building in Turin
Front view of the main entrance facade
View from the outside of the building and the facades
Front view of the staircase of Santa Maria del Monte
Overall view of the concert hall
The illuminated hall of the Poldi Pezzoli Museum
Exterior view of the museum building
View of the museum from the water
Front view of the Il Sole 24 Ore Seat building
The lighting fixtures installed on the ceiling
Viktor & Rolf Showroom inside the showroom
Overall view of a room with ceiling lights
Another central view of the illuminated hall of Palazzo Marino
The historic center of Siena illuminated
The lighting of the Salone delle Feste at the Quirinale
The illuminated waiting canopies
Entrance to the exhibition set up of Gianni Versace
Front view of the windows of the picture gallery
Il Porto Antico di Genova in una vista notturna
Detail of the lighting of the internal courtyard
Night view of the outline of the city of Mantua
Illuminated night view of the entrance courtyard
Night view of Malba - Costantini Foundation illuminated
Overall view of the Hall
The night lighting of the Sanctuary
Night view of the Italcementi Research Center
Night view of Porta Nuova Garibaldi Repubblica complex
St. Petersburg Spasa na Krovi outdoor lighting - master
Venice Grassi Palace outdoor night view- master
Museo d'Orsay Paris frontal view - master
Detail of the lighting system used
View of the ceiling glass windows with lighting
Outdoor spaces with architectural lighting
A night view of the illuminated building
View of the rooms and the exhibition path
Deputies with the lighting used
View of the complex with night lighting
The stage of the Teatro Comunale of Florence
The works of art inside the illuminated Papal Stables
The Last Supper by Leonardo da Vinci with the lighting used
Full view of the illuminated theater
Full view of the Cultural Center building
One of the rooms with the works on display and the lighting fixtures
Overall view of the Banca Lombarda building in Brescia
Overall view of the central courtyard of the service center
Detail of the illuminated facade of the Dior building
Front view of the Lingotto building in Turin
Front view of the main entrance facade
View from the outside of the building and the facades
Front view of the staircase of Santa Maria del Monte
Overall view of the concert hall
The illuminated hall of the Poldi Pezzoli Museum
Exterior view of the museum building
View of the museum from the water
Front view of the Il Sole 24 Ore Seat building
The lighting fixtures installed on the ceiling
Viktor & Rolf Showroom inside the showroom
Overall view of a room with ceiling lights
Another central view of the illuminated hall of Palazzo Marino
The historic center of Siena illuminated
The lighting of the Salone delle Feste at the Quirinale
The illuminated waiting canopies
Entrance to the exhibition set up of Gianni Versace
Front view of the windows of the picture gallery
Il Porto Antico di Genova in una vista notturna
Detail of the lighting of the internal courtyard
Night view of the outline of the city of Mantua
Illuminated night view of the entrance courtyard
Night view of Malba - Costantini Foundation illuminated
Overall view of the Hall
The night lighting of the Sanctuary
Night view of the Italcementi Research Center
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